
Nandi Bull
Having seen everything we wanted in Mamallapuram, we decided the head off for the day. Being the adventurous types we are (or should that be foolhardy?), we hired an Enfield and made our own way north.
The journey was full of our usual toings and froings, largely because the signposts for the places we wanted to visit only faced one direction, not the one we were driving in.
First stop was the Madras Crocodile Bank (www.madrascrocodilebank.org ). The Bank began life 15 years ago as a breeding programme for endangered Indian crocodiles. From 15 crocs at the start, they now have 5,000 and they breed and return to the wild endangered species from all over the world. They breed snakes, lizards and turtles as well.
Highlights for us were the Gharials, Indian fish-eating crocs with very long noses. We watched one under water. When he/she (not sure which) went up for air, all these turtles emerged from underneath, stretched their legs then settled back down under the croc. Not sure what the basis of the relationship is. Then there was the saltwater crocodile who appeared just out of the water then sunk below the surface again. As soon as he/she disappeared, you wouldn’t have known the croc was there. Given the ’saltys’ are also the most likely to attack people, it was a little unnerving to watch.
Second stop was the Dakshina Chitra (www.dakshinachitra.net), an impressive open-air museum dedicated to keeping alive traditional crafts and culture from South India. It’s a project from the Chennai Craft Foundation and it was so well put together we had to keep pinching ourselves to remind us we were still in India. The site contains traditional buildings from different states and communities across South India. The buildings have been bought from ‘in situ’ and rebuilt, then filled with artefacts from daily life across the centuries. Everywhere you look there are craftspeople working – pottery, basket making, weaving, puppet making – plus when we were there a temple group from Kerala performed music and dance. Hypnotic and the second time we’ve found ourselves thinking that a trip to a full temple performance might have to be made (they go on from 10pm to 6am).
The Dakshina Chitra also gave us our first proper chance to push back on what we locally call ’skin tax’. It’s a pejorative title but it reflects the Indian practice of charging Indians one price for entry to places and ‘foreigners’ a different one ie higher. You might argue we can afford it, however we object given that we live here and work for Indian wages, and pay Indian taxes, to being treated as ‘rich tourists’.
Anyway, we struck out at the Shore Temple, where it was one price for Indian nationals and everyone else paid more. As a result, we didn’t take our Resident’s Permits with us later in the day. At Dakshina Chitra, it was Indian residents the lower price. Initially we paid the higher price because we didn’t have our Permits with us. Then we realised we did have our driving licenses and our income tax (PAN) cards – you cannot get either of these unless you’re a resident. On presentation of these, the museum offered us money back. We didn’t accept – the museum was worth the money – but the principle was made.